Virtual Vi offline set up - Set up your shows offline and load them into the Vi3000 via USB
VM2 radio mic status monitoring - Monitor the status of SHURE ULX-D and QLX-D and HiQnet-compatible AKG radio mics directly from the console surface with realtime visual displays of battery life, RF status, mic muting and internal clipping.
BSS DPR901ii Dynamic EQ - this acclaimed industry-standard DEQ is built in as standard with 8 instances available for inserting on any input or output channel. The DEQ can be used at the same time as the existing channel EQ and Dynamics sections.
Copy/Paste channel bus and FX settings - Dedicated Copy and Paste buttons on the surface allow the settings of any channel, bus or FX section to be copied and pasted, dramatically cutting down the set up time.
Copy/Paste processing elements - Operators can drill down to copy and paste even single processing elements, and the last paste operation can always be quickly reversed with an UNDO function.
Settings Library - Along with a useful library of EQ and Dynamics settings, operators can store their own settings in the console or to a USB memory stick, making initial set up and transition between shows even easier.
Sophisticated Cue List Management - Allows changes to be applied to multiple cues and recall scope to be set per snapshot.
Advanced events integration - Cues can trigger or be triggered by MIDI or GPIO events, including MIDI timecode. Harman's HiQnet Venue recall function is tightly integrated within the Cue List.
Automated microphone mixing - STUDER vMIX processing is built-in, with ability to seamlessly process up to two separate groups of 16 inputs, with clear and intuitive metering showing gain reduction.
Snapshot crossfades - Snapshot recalls can use crossfades to transition smoothly from one setting to the next.
ViSi Remote iPad® app - Control major functions and optimise your mix from anywhere in the venue. Adjust monitor levels from the stage. Includes control of EQ Dynamics and metering overview.
All busses to stereo - All busses can be turned to stereo without tying up two busses, providing a massive 24 stereo mix capability – perfect for mixing large monitor applications.
4 Aux send points - With a total of 4 aux send points, monitor mix engineers have the flexibility to tailor mixes more closely to performers' requirements. Sends can be pre-EQ, precompressor, pre-fade or post-fade on a per channel/per bus basis.
Aux VCA mode - VCA master faders can control the aux sends of their member channels on a per mix basis, with a FaderGlow illuminating in white to indicate the VCA's operation on the current mix. Monitor engineers can retain control of important global elements such as ambient mics while also having a monitor mix selected and adjusting groups of sources within the current mix using the Aux-VCAs. Blue illumination of FaderGlow indicates that the VCA is controlling the global channel level to all mixes.
Auto-increase of ambient mic levels in monitor mixes between songs - Performers using in-ear monitors want to hear the audience between songs. No problem. Vi3000 has the facility to externally control the Gate or Ducking processing from a bus in the console, so all you have to do is insert a ducker on an ambient mic with an external source of the LR bus or a spare bus, and the audience level increases automatically when the performers stop playing.
Frequency Response - Stagebox Mic input to Line output +0/-1dB, 20Hz-20kHz
AES/EBU In to AES/EBU Out +0/-0.2dB, 20Hz-20kHz
Stagebox Mic In (min gain) to Local Line Out <0.003% @ 1kHz
Stagebox Mic In (max gain) to Local Line Out <0.020% @ 1kHz
Local Line In to Line Out <0.003% @ 1kHz
Mic Input E.I.N <-126dBu (150? source)
Residual Noise -91dBu Stagebox line output; no inputs routed, Mix fader @0dB
CMRR 80dB @ 1kHz
Sampling Frequency 48kHz
Latency: Stagebox Mic Input to Local Line output < 2ms @48kHz
AES/EBU Input Sample Rate 32-108kHz (with SRC enabled)
DSP Resolution 40-bit floating point
Internal Clock Accuracy < +/- 50ppm
Internal Clock Jitter < +/- 2ns
External Sync BNC Wordclock
Input & Output Levels - Mic Inputs +28dBu max
Input & Output Levels - Line Inputs +22dBu max
Input & Output Levels - Line Outputs +22dBu max
Input & Output Levels - Nominal Operating Level +4dBu (-18dBFS)
Input & Output Impedances - Mic Inputs 2k7?
Input & Output Impedances - All other analogue Inputs >10k?
Input & Output Impedances - Line Outputs <75?
Input & Output Impedances - AES/EBU Outputs 110?
Oscillator 20Hz to 20kHz/Pink/White Noise, variable level
Oscillator - Stagebox HP Filter 80Hz fixed, 12dB per octave
Oscillator - Channel HP Filter 20Hz-600Hz, 18dB per octave
Oscillator - Channel LP Filter 1kHz-20kHz, 18dB per octave
EQ (Inputs and Bus Outputs) - HF 20Hz-20kHz, +/-18dB, Q=0.3-8.7 or shelving
EQ (Inputs and Bus Outputs) - Hi-Mid 20Hz-20kHz, +/-18dB, Q=0.3-8.7
EQ (Inputs and Bus Outputs) - Lo-Mid 20Hz-20kHz, +/-18dB, Q=0.3-8.7
EQ (Inputs and Bus Outputs) - LF 20Hz-20kHz, +/-18dB, Q=0.3-8.7 or shelving
Metering Internal 20-segment LED bargraphs plus 9-segment gain reduction meters for all inputs and Outputs. Peak hold variable from 0-2s.
Mains Voltage Operating Range 90-264V, 47-63Hz, auto-ranging
Mains Power Consumption 300W
Temperature/Humidity Range - Operating Temperature Range 0°C to 45°C (32°F to 113°F)
Temperature/Humidity Range - Relative Humidity 0% - 90%, non-condensing Ta=40°C (104°F)
Temperature/Humidity Range - Storage Temperature Range -20°C to 60°C (-4°F to 140°F)
Height (Console Only) 351mm (13.8")
Width (Console Only) 1446mm (56.9")
Depth (Console Only) 803mm (31.6")
Weight (Console Only) 54kg (119lb)
Height (with standard shipping carton) 595mm (23.5")
Width (with standard shipping carton) 1580mm(62.2")
Depth (with standard shipping carton) 950mm(37.4")
Weight (with standard shipping carton) 96kg (212lb)
Height (with factory flightcase) 1117mm(44.0")
Width (with factory flightcase) 1530mm(60.3")
Depth (with factory flightcase) 530mm(20.1")
Weight (with factory flightcase) 141kg(311lb)